Bringing the Music Back to New Orleans
Every time I find myself thinking that today’s teens are lazy and selfish, I meet someone like Liza Sobel. Most high school seniors I know spend the bulk of their time worrying about prom dresses and graduation parties. Liza spent her senior year at Creskill (New Jersey) High School collecting musical instruments for a charter school in New Orleans that didn’t have a music program. Remarkably, she didn’t do it under the direction of a school club or a teacher; she did it entirely on her own. So far, New Orleans students have more than 150 instruments they wouldn’t have without her, and the Algiers Technology Academy alone has enough instruments and supplies to run a music education program.
Liza is a talented music student who sings, composes and plays piano. She once organized a benefit to collect instruments for needy students at her own school, and then heard about the need for instruments in New Orleans, where schools struggling to rebuild had few funds for “extras” like music programs. She was horrified to find out that in the city that spawned Louis Armstrong, there were students who had never so much as heard a live piano.
“When I was growing up if I needed a book or an instrument, or wanted to study with a music teacher, it was easily done,” she explains. “To hear that there was a school that had no music program at all was really shocking.”
So unlike most of us, who do little more than shake our heads in disbelief when we hear such things, Liza actually did something. When she couldn’t find an organized program to collect instruments, she created one. She found out that a nearby school district was shipping donated goods to New Orleans and asked if they could take instruments with them. She then contacted local schools and businesses and by February was able to send more than 50 instruments to the Algiers Technology Academy, a new charter school which until then had no music program, but had a social studies teacher named Adam Brumer who wanted to start one. She also collected various supplies, including sheet music, music stands, and the like.
After a local newspaper ran a story about her efforts, Liza was able to raise enough money to repair broken instruments she had collected and buy necessary supplies like reeds for clarinets and saxophones.
“I thought it would be too overwhelming to unpack those instruments in New Orleans and then first repair them,” she explains.
Liza is the kind of civic-minded student the creators of the “Teaching The Levees” curriculum dream about. She used her time, talents and the resources of her community to help another community in need. She’s a model for all of us about how much of a difference a single student c
an make.
Liza is off to Cornell University in the fall, and is trying to find another student to take over her work in northern New Jersey. But her work serves as a model that deserves to be duplicated everywhere. So here’s a plea to everyone reading this post to try and start a donation program in your community. Perhaps you could encourage a group of students could start a club or earn community service credit. It involves a lot of tireless work – posting flyers, contacting local businesses, collecting donations to cover shipping and repair costs – but it’s something we can all do that can make a huge difference in other students’ lives.
Even if you can’t start a local program, if you have an old instrument or know anyone who does, you can ship it directly to the Tipitina’s Foundation, which supports band programs in New Olreans. (Click here for information about donations directly to Tipitina’s.) Instruments can be sent directly to them c/o Mark Fowler, Tipitina’s Music Office Co-Op, 501 Napoleon Avenue, New Orleans, LA 70115. The foundation is preparing a PDF form on their website for donors to download and include with their instrument shipment. If you can’t find the form or have trouble with PDFs, simply enclose a note with the instrument, but be sure to include a stamped, self-addressed envelope so they can send back a receipt for the donation. For questions about shipping, call the foundation at 504-891-0580; for other information about donations contact Mark Fowler at mfowler@tipitinas.com. And, of course, Tipitina’s in an IRS-recognized charity that accepts tax-deductible cash donations to help purchase supplies for school music programs.
Please feel free to contact Liza directly at GiveInstruments@optonline.net, or contact me at ell10@columbia.edu if you want to find out more about starting a donation program.
I first contacted Liza when I saw her flyer on a bulletin board here at Teacher’s College, and ended up donating my son’s first trumpet, which was taking up space in a closet. In many communities there are students who begin playing an instrument and then abandon it as they get older or go to college, or who upgrade to a better instrument as they progress. These abandoned instruments may no longer be worth much to them (although instrument donations are fully tax deductible), but they are gold to students in New Orleans. (I also went ahead and made repairs to the instrument before donating it, saving Liza and the recipients the effort of doing so, and I’d encourage you to do so if you can before you donate.)
Remember that Louis Armstrong’s first instrument was a cornet he learned to play at the Home for Colored Waifs. I hate to think there’s another Louis (Louisa?) out there who never comes across that cornet.
A day barely goes by without some news report that would make for wonderful democratic dialogues in our classrooms, but
For students of world events, the study in contrasts between the reactions of the Chinese and Burmese governments to recent natural disasters has been an education in itself.
n labeled “repressive.” In recent weeks, the Chinese government has been battered by protests of its policies in Tibet, most notably in disruptions of the Olympic torch as it made its way to Beijing for this summer’s Olympic Games. In 2005, the Burmese regime brutally cracked down on pro-democracy protests led by Buddhist monks, though details of the crackdown are still sketchy since most western media are banned from the country.
It is hard to imagine how a natural disaster such as
government responsibility we can’t afford to let slip by. Not only did the Burmese regime
On a recent train ride into New York City, I found myself scrunched up against three middle-school boys who were engaged in a rather animated discussion — not, to my surprise, about baseball or the latest casualty on American Idol, but about the presidential election.
ed on the poll of the day. They end up supporting the person who may make the best candidate, which may well have little to do with who will make the best president. Remember the 1972 film, The Candidate, in which Robert Redford becomes the unlikely winner of a California Senate race? The film ends with a victorious Redford turning to his campaign manager and asking, “What do we do now?”
Back in January, when we surveyed the presidential hopefuls’ stands on Katrina-related issues (see
This is the kind of story I’m a bit reluctant to share — because it’s hard to read it and not give in to complete despair.